“Wolverine may be dead… but what will happen to his mortal remains, encased in something as rare and powerful as Adamantium? The battle for control of this valuable artifact has begun! But why does it matter so much… and why is a war brewing in Logan’s name? Death is on the books for a dozen heroes and villains, and Mystique is playing chess with them all, including X-23, Sabretooth, Daken, Lady Deathstrike and more! Murder, mutilation, betrayal and trauma… none will be spared!
Mystique’s endgame is now in final swing – everything is exactly how she planned in this penultimate issue!”
2015’s Wolverines series reaches its issue 19 mark (released May 2015), and features the writing talents of Charles Soule. Interior artist for this issue is the talented Ariela Kristantina, and the particularly eye-catching cover art is courtesy of Juan Doe – which really does sound like a bit of a pseudonym, doesn’t it?
Related Link: http://marvel.com/comics/issue/52933/wolverines_2015_19
Pete Wisdom couldn’t save John the Skrull. He couldn’t save anyone he cared for. Being in his unit can be fatal. So now all else seems lost, now Plokta’s engine for making Mindless Ones is threatening the world… what will he sacrifice to save the Black Knight?
Issue 8 of the horror action series Captain Britain and MI:13 was published in December 2008 by Marvel, with the story written by Paul Cornell with interior art from Leonard Kirk. Comic book artist Bryan Hitch handled the cover work, coming up with a scenario that sees a hopelessly outnumbered Captain Britain punching things left, right, and center!
Not that it was only the good guys wrapping this issue – comic book artist Humberto Ramos also pitched in and produced this striking villain variant cover for Captain Britain and MI:13 issue 8:
Come for the banter, stay for the surprises! Everything Valkyrie knows about her origin is wrong! And Caroline LeFay unleashes her Doom Maidens upon the world! (So many exclamation marks. And after that official synopsis from Marvel, I still don’t know what happens in this issue!)
Anyway, Fearless Defenders #4 was published in May 2013 by Marvel, written by Cullen Bunn, with interior art from William Sliney, and featuring this fun homage to those dress them up paper cutout dolls from yesteryear (depicting Valkyrie choosing between her identities) from comic book artist Mark Brooks as the cover.
Not that this was the only artwork released for this particular issue. Comic book artist Stephanie Hans turned out this slightly more serious, darker in tone, variant cover featuring Valkyrie front and center!
The 3rd chapter of the Black Vortex! With a schism forming within the assembled heroes, the youngest among them face the temptation of immeasurable power. Sometimes those with great power shirk their responsibility to use it for good, though. And with Knife and his new business partner looking to take back the Black Vortex, the group may have left themselves a little defenseless…
Published February 2015, Legendary Star-Lord #9 is written by Samuel Ryan Humphries with a bit of a gun-slinging standoff between Star-Lord and Kitty Pryde cover by comic book artist Paco Medina.
Daredevil on the Rocks! Daredevil discovers the secret to Tony Stark’s success! How far will Tony go to stop Matt Murdock from revealing this shocking secret to the world? As Tony’s actions become even more questionable, who will conspire to take him down, leading up to the battle you thought you’d never see?
Published January 2015, Superior Iron Man #4 is written by Tom Taylor and features this don’t mess with me cover of a very smug Iron Man resting his heels on a very battered Daredevil by comic book artist Mike Choi.
I’m quite a fan of Jock’s always pleasing comic book artwork (having first been introduced to his work in Judge Dredd Megazine all those years ago), and thus it came as no surprise that he nailed this piece of cover art, featuring everyone’s favourite short, surly, and unbreakable mutant, Wolverine.
In case you were wondering, this comes off the cover of Wolverine Max issue 5, released in 2012.
It’s difficult not to love Greg Capullo’s explosive, dynamic pencils, and this bit of cover art depicting a gun wielding Bruce Wayne, in other words the Batman, most certainly makes for a worthy bit of comic book art appreciation.
In the post-Flashpoint continuity (New 52), Oliver Queen is Green Arrow and he balances his own breaking of laws with his efforts to bring outlaws to justice across the globe. Queen runs Q-Core, a communications technology company that is part of Queen Industries, through which he funds and armors himself as Green Arrow. He makes scarce allusion to his former partnership with Roy Harper, but Roy’s memories in Red Hood and the Outlaws establish that the pair fell out badly, leading Oliver to expel him from Q-Core, and prompting Roy’s own downward spiral.
He is based once again in Seattle and supported in his vigilante activities by a small team of close friends who are tech geniuses. New mysteries concerning Oliver’s original time on the island where he was shipwrecked are brought to the fore, a central mythology concerning the ancient Arrow Clan is introduced, and new antagonists, including Komodo, who Oliver learns was his father’s archer apprentice and murderer emerges from the shadows!
Italian comic book artist Andrea Sorrentino puts together this chilling view of a very distraught and battered Green Arrow with some pretty threatening helicopters rapidly closing in!